LAPORAN TUGAS AKHIR PENERAPAN POINT OF VIEW OBJEKTIF TOKOH ATHA DALAM MEMBANGUN KONFLIK BATIN PADA FILM PENDEK “HILANG ARAH”

Film pendek Hilang Arah merupakan film bergenre drama psikologis yang
mengangkat konflik batin tokoh Atha akibat kurangnya perhatian keluarga,
minimnya pendidikan seksualitas, dan perubahan hubungan dalam keluarga. Tugas
akhir ini bertujuan menjelaskan peran sutradara dalam menerapkan Point of View
(POV) objektif melalui pemanfaatan shot size dan reaction shot untuk
memvisualisasikan perkembangan konflik batin tokoh. Metode penciptaan
dilakukan melalui tahapan praproduksi, produksi, dan pascaproduksi. Hasil
penciptaan menunjukkan bahwa penerapan POV objektif melalui penggunaan
close-up, medium close-up, medium shot, dan reaction shot mampu menampilkan
perkembangan konflik batin Atha secara bertahap melalui ekspresi, gestur, dan
interaksi antartokoh, sehingga alur dramatik dapat dipahami dengan jelas oleh
penonton.
Kata kunci: penyutradaraan, POV objektif, shot size, reaction shot, film
pendek.

Hilang Arah is a psychological drama short film that explores the internal conflict
of Atha, a teenager affected by inadequate parental attention, limited sexual
education, and changing family relationships. This final project aims to explain the
director's role in applying an Objective Point of View (POV) through the use of shot
size and reaction shots to visualize the development of Atha's internal conflict. The
creative process consisted of pre-production, production, and post-production
stages. The results show that the application of an objective POV through close-up,
medium close-up, medium shot, and reaction shots effectively visualizes Atha's
internal conflict through facial expressions, gestures, and character interactions,
enabling the audience to clearly understand the dramatic progression of the story.
Keywords: directing, objective point of view, shot size, reaction shot, short film.